第十二个嫌疑犯

简介：

　　小女孩桃乐丝·盖尔（Judy Garland 饰）随叔叔、婶婶住在堪萨斯州中部的农场。某天，龙卷风袭来，为找到心爱的小狗，桃乐丝没能及时躲藏。强大的龙卷风将桃乐丝藏身的小木屋卷入空中。不知经过多久，小木屋终于落到地面，而且把一个邪恶的女巫也给压死了。在善良的北方女巫的指点下，桃乐丝和小狗启程前往魔法师奥兹（Frank Morgan 饰）所居住的翡翠城，祈求他能帮助自己回家。路上，桃乐丝遇见了没有脑子的稻草人（Ray Bolger 饰）、缺少心脏的铁皮人（Jack Haley 饰）以及胆小如鼠的狮子（Bert Lahr 饰），为了实现各自的愿望，他们随桃乐丝一同前行。一路上经历千难万险，更有邪恶的西方女巫处处阻挠，他们的愿望最终能否实现呢？
　　本片根据美国同名童话改编。

简介：

简介：

　　1993年日本民間放送連盟賞優秀賞受賞作品

简介：

　　共和国高级专员De Roller在法属波利尼西亚的大溪地岛工作，他是一个举止完美、极有心计的人，能通过官方招待会之类的场合，精准地把握怒气可能随时爆发的当地民众的脉搏。此时，人群中流传着一个谣言：有人曾经看到一座潜水艇幽灵般的身影，这很可能预示着法国即将重启核试验。

简介：

飞云镖局的二当家姚仙在三年前因在押镖的途中遇到一个少年被众人追杀，心生怜悯之心而救了这个少年，也因此得罪了武林黑道。从此之后镖局经常失镖，而飞云镖局的生意也越来越差。三年后的今天，同样是二当家押的镖又被黑道劫走，并抓了二当家的，此时一位壮士出手相救。回到镖局后才知这位壮士正是二当家当年救下的少年君

简介：

一场拙劣的圣诞夜抢劫案让一名警官走上了毁灭性的道路，他与疏远的母亲、关系破裂的业余摄影师、心怀恶意且杀人的未婚妻、她的秘密情人以及一名精神失常的商场圣诞老人重新建立了联系……他们都在一个爆炸性和致命的夜晚聚集在一起。

简介：

《代号花木兰》讲述了莫璇（吴静一饰）和柳嫣等十几个女孩经历严酷训练，命运从此发生了改变。爬铁丝网，跳木箱，擒拿格斗，姑娘们接受着前所未有的挑战。经过一段时间的魔鬼训练，姑娘们已经脱胎换骨。陆鸣给她们安排了更残酷的任务，她们即将走向没有硝烟的战场，潜入日本军人内部，完成一个个艰巨的使命。

简介：

　　故事发生某繁华的城市……服装公司的设计师邵大维为参加国际服装节设计了一批中老年服装，上报到贾总经理和蔡主任……
　　贾总经理要求做出样装由真人试装，邵大维无意间看到了霞光中老年模特队的介绍……邵大维和模特队的赵茂存达成协议……
　　这个由年龄在五十以上的，大多已经退休了的中老年人组成的霞光模特队，在队长梁美娟老师的带领下坚持着排练和偶尔的演出，这位从省体工大队退下来的篮球运动员办事认真，定下的目标绝不会轻易改变，她严格训练，要使自己的队伍达到专业模特演出的水准……

简介：

《微笑杀戮》以一个我们再熟悉不过的画面开始：一个人对着镜头乞讨，为挽救生命的治疗筹集资金。但这个人有枪。然后，影片闪回，显示里科·阿连德，一个虔诚的拉丁裔男子，生命只剩下几个月，正在为他的任务做最后的准备。

简介：

内详

简介：

In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：

太平洋战争初期，美军将兵力投入欧洲战场，无力挽回菲律宾战事，导致一万名美军、六万名菲军在巴丹半岛被俘。日军一直残酷对待这些战俘，军部更于1944年一月决定屠杀俘虏，这部电影，讲述的就是发生在44年一月四天中的故事。游骑兵上尉普林斯分属幕西中校的队伍，他们接受了在麦克阿瑟将军北上过程中营救某战俘营里500名美军的任务，由于日军对待战俘毫不留情，此次行动必须高度隐秘。同一时间，战俘营中的少校吉布森（约瑟夫•费因斯JosephFiennes饰）正艰难的为生存和获取外界信息而努力，虽然当地有护士玛格丽特等人想法设法为战俘提供帮助，但缺药的状况一直存在。为执行屠杀命令，宪兵军官长井接管了战俘营，而战俘营外，游骑兵战士们经过秘密行军终于抵达了目的地，营救成败，很快就要揭晓……