播放记录
光影艳红菱高清海报 - 云视界_环球动漫影视同步追看免费看,国漫日漫新番更,韩剧美剧原声字幕,4K 超清无广告离线缓存免费在线观看
966
5.0

光影艳红菱

导演:

克雷格·麦考尔

主演:

杰克·卡迪夫,马丁·斯科塞斯,柯克·道格拉斯,劳伦·白考尔,查尔顿·赫斯顿,金·亨特,约翰·米尔斯,艾伦·帕克,塞尔玛·斯昆梅克,弗雷迪·弗朗西斯,拉菲拉·德·劳伦提斯,理查德·弗莱彻,彼得·叶茨,凯思琳·拜荣,Christopher Challis,凯文·麦克格罗瑞,伊恩·克里斯蒂,莫伊拉·希勒,彼得·汉德福德,George E. Turner,米歇尔·西蒙,迈克尔·鲍威尔,玛琳·黛德丽,亨利·哈撒韦,奥逊·威尔斯,约翰·韦恩,索菲娅·罗兰,埃罗尔·弗林,莱斯莉·卡伦,艾娃·加德纳,约翰·休斯顿,亨弗莱

别名:

未知

影片信息

5.0

966人评分

英语

语言

2010

上映时间

86分钟

片长

影片简介

 传奇摄影师杰克·卡迪夫(Jack Cardiff)生平回顾纪录片。身为影史上首位获颁奥斯卡终身成就奖的摄影师,童星出身的杰克·卡迪夫早从四岁就演出第一部电影,十五岁转任摄影助理,就此展开横跨九十年的辉煌电影生涯。从《红菱艳》到《非洲皇后》到《第一滴血续集》,一生拍摄过逾百部作品,电影史的轨迹俨然镌刻在他的每一个镜头之中。马丁斯科塞斯导演也在片中向这位传奇摄影师献上礼赞

播放列表

相关推荐

猜你喜欢
换一换
非洲猫科原声版高清在线观看 - 云视界_环球动漫影视同步追看免费看,国漫日漫新番更,韩剧美剧原声字幕,4K 超清无广告离线缓存
515
1.0
正片
非洲猫科原声版

评分:1.0

更新时间:02月13日

主演:塞缪尔·杰克逊

简介:

《非洲猫科》是一部讲述发生在非洲平原上的一个有关野生动物的真实故事的影片。由塞缪尔·杰克逊担任旁白。影片的主角是两个家庭,三只大型猫科动物,分别是未成年的母狮玛拉、成年雄狮毒牙以及雌性非洲猎豹希塔。他们在非洲平原上的爱、对族群的忠诚、猎食、离家、成长以及争斗和死亡组成了一部波澜壮阔的野生动物的史诗。玛拉是一只未成年的小母狮,只有6个月大。它的母亲莱亚正在用尽浑身解数照顾自己的女儿。玛拉活泼好动,是河岸狮群中的乖宝宝,它的母亲莱亚是狮群中最有经验的猎手。不过一次意外的负伤终结了莱亚“捕猎能手”的地位。母亲的地位岌岌可危,形单影只的玛拉也暴漏在了狮群的危险之中。而玛拉也只有尽快学会捕猎才能巩固自己在狮群中的地位并且填饱雄狮和自己的肚子。可是时日无多,母亲身负重伤,它未来的生活还是一个问号。而且,另一个狮群中的雄狮在就开始算计着这对母女了。
成年雄狮毒牙是狮群的首领,它得此名称的原因是在一次打斗中,它失去了自己的一颗犬齿,现在只有一颗犬齿孤零零地留在它的嘴里。不过这并不是毒牙最大的心患,他的首领地位正在受到另一个狮群的觊觎。觊觎毒牙狮群和地盘的是凯利,它和它的同伴们住在河流的北岸,虽然有属于自己的领地,但是大型猫科动物的一个特性就是争夺地盘。它们一次一次地试探毒牙的实力,一次一次地妄图扩张自己的版图。在崇尚绝对力量的自然界,软弱、负伤的毒牙还有保护自己狮群的可能性么?它虚弱的肢体是不是正在一步一步地把狮群推向险境的边缘?希塔是一只漂亮的非洲猎豹,它是一个单亲妈妈,膝下有几个孩子。尚未成年的这些小家伙还没有意识到自然界的危险。而希塔只有孤零零地复杂打猎和照料自己的孩子。为了找到吃的东西,它不得不长途跋涉去找食物。可能离开家太久、太远,对于并不擅长长跑的猎豹而言并不是一个好主意……

阅读量:87

年份:2011

非洲猫科原声版

主演:塞缪尔·杰克逊

情感的力量高清在线观看 - 云视界_环球动漫影视同步追看免费看,国漫日漫新番更,韩剧美剧原声字幕,4K 超清无广告离线缓存
386
5.0
HD中字
情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

光影艳红菱

扫一扫手机看
复制
首页
电影
连续剧
综艺
动漫
短剧
体育
资讯